
Fionia Stool / 239 eur
Designed by Jens H. Quistgaard
Fionia stool is a modern, Nordic interpretation of the ancient X-chair. The lightweight and folding stool has a simple, triangular construction with a stable surface often used as a bedside table or elegant stand for books, pots and flowers as well. As Skagerak’s first stool ever and designed back in 1986, Fionia stool has become an iconic item serving multiple purposes in all rooms of the house.
- Details
- Teak
FSC 100%
WxDxH: 40x33,5x44 cm / Seat H: 44 cm
Item no. S1600505 - Packaging
- WxDxH: 95x38x7 cm
Weight: 5,35 kg - Material and care
Proper usage and maintenance
Proper usage and maintenance is vital for getting the most out of the valuable resources we have. Our designs are made to last for generations, but just like everything else, they need a little care to get there.
Teak
Origin
Teak is commonly found in Southeast Asia and Central and South America. Our FSC-certified Teak comes from Southeast Asia, Central America and Brazil, while our non-certified Teak comes from plantations in Indonesia and Trinidad; managed to sustain a renewable and reliable supply of wood.Why
Teak is a heavy, hard and sturdy type of wood. The high content of natural oils makes it highly resistant and it is therefore a good choice for household articles and furniture.Cleaning
For regular cleaning use a suitable cleaning agent for wood.
Maintenance
As the wood is untreated the surface will change colour over time and eventually turn into a beautiful silvery grey. To maintain untreated wood, it is a good idea to use sandpaper (grit 120-150) once or twice a year.


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About the designer / Jens H. Quistgaard
Jens Quistgaard (1919–2008) was an excellent designer. Throughout his career he created designs that during the 1950s and 1960s became synonymous with Scandinavian Modern, and found their way to trade fairs, exhibitions and homes around the world. He was born into an artistic home in Copenhagen, Denmark, in 1919. As a boy, he was deeply interested in drawing and ceramics, and as a youth he became an apprentice in his father’s sculptor’s studio. Later, he became an apprentice under Georg Jensen and developed from being a draughtsman and relief-maker to being a sculptural designer.
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