Between Lines Deck Chair Cushion / 365 eur
Designed by Stine Weigelt
Add an extra dimension of comfort to your Between Lines Deck Chair with this custom-made cushion that easily ties to the seat. The 17 folds in the cushions design are inspired by the construction of a wooden suspension bridge. The upholstery fabrics are Oeko-Tex certified and extremely colour and lightfast as well as water and dirt-repellent and even mildew-resistant. With an open-cell foam filling, the cushion dries exceptionally quickly, even after a heavy downpour.
Please note different version for UK market.
- Outdoor Textile / White
Quickdry Outdoor Foam
LxWxH: 134,5x53,5x3 cm
Item no. 1960870
- WxDxH: 71x50x7 cm
Weight: 1,4 kg
- Material and care
Proper usage and maintenance
Agora Panama is Oeko-Tex certified and solution-dyed acrylic fabrics used for upholstering our cushions and pillows. The acrylic fibre we use is a synthetic but cotton-like fabric with world-class features for outdoor usage, making it:
- Extremely colour and lightfast
- Water and dirt repellent
- Free from harmful substances
Wipe the fabric with a firmly wrung cloth. In case of more obstinate stains, remove the upholstery and machine wash it at 30° C. If the upholstery is not removable, the textile must only be washed with a wrung cloth.
Quickdry Outdoor Foam
Quickdry Outdoor Foam has an open cell structure which allows both water and air to pass through freely. This makes the cushion dry exceptionally quickly – even after being soaking wet – with little to no need of maintenance. Moreover, the foam provides a firm and comfortable texture which remains the same year after year.
If the cushion is exposed to heavy rain, we recommend placing the cushions upright for quick drainage. Soon after, the cushion will be dry and the cushion can be used again.
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About the designer / Stine Weigelt
From a forest house in a Danish railway town to Tanzania in Africa. From Memphis Tennessee in the United States to the City of Smiles in Denmark, Aarhus. Stine’s upbringing has without doubt been culturally diverse and full of contrasts. Her background as a designer is similarly diverse. Stine’s practical approach as a designer is build up around two actions – inventing and testing. Thus, new forms and expressions are often determined in the very meeting between Stine’s hands and the chosen materials, and she has as always been fascinated with how living materials has the ability of shifting form, colour or surface.